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THE HOST: Mikael Damant-Sirois – CG Supervisor – Rodeo FX

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Mikael Damant-Sirois began working at Meteor Studio on projects such as JOURNEY TO THE CENTER OF THE EARTH or TV series CRUSOE. He joined Rodeo FX in 2012 and worked on films like RED TAILS, MIRROR MIRROR or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.

G.I. JOE – RETALIATION: Bill George – VFX Supervisor – ILM

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Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

OZ THE GREAT AND POWERFUL: Scott Stokdyk – Senior VFX Supervisor...

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Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.

DEAD SPACE 3 – TAKE DOWN THE TERROR: Neil Huxley, Director...

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Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

JACK THE GIANT SLAYER: Deak Ferrand – VFX Matte Painter –...

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It is with great pleasure that I welcome again Deak Ferrand on The Art of VFX. During his last visit, we had explained the work of Hatch on THE BOOK OF ELI. He has since worked on films like THE TWILIGHT SAGA: ECLIPSE, THE DICTATOR or UPSIDE DOWN.

HANSEL & GRETEL WITCH HUNTERS: Rebecca Marie – VFX Producer &...

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Having worked for many years at Pacific Data Images (PDI) on projects such as TOYS, TRUE LIES or NATURAL BORN KILLERS, Rebecca Marie founded Hammerhead in 1995 with Jamie Dixon, Thad Beier and Dan Chuba. She has participated in very many movies including TITANIC, DEEP BLUE SEA, X2, WANTED or THE BOOK OF ELI.

A GOOD DAY TO DIE HARD: Dan Mayer – CG Supervisor...

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Dan Mayer began working in visual effects more than 10 years ago. He has participated in series TV such as DEAD LIKE ME or STARGATE: ATLANTIS and also on many movies including NIGHT AT THE MUSEUM, TROPIC THUNDER, SALT or DARK SHADOWS.

FLIGHT: Kevin Baillie – VFX Supervisor – Atomic Fiction

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Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.

An Open Letter to Ang Lee

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The Oscar night was disrespectful to the whole VFX industry ! Especially with the Jaws theme and the fact that Ang Lee forget to thank...

ZERO DARK THIRTY: Chris Harvey – VFX Supervisor – Image Engine

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After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.