jurassic world - résultats de la recherche

Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.

Francis Puthanangadi began his career in visual effects in 1998 and joined Digital Domain in 2006. He has worked on many films such as TRON: LEGACY, IRON MAN 3, AVENGERS: INFINITY WAR and AQUAMAN.

Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

Damien Hurgon began his career in visual effects in 2008 at Mikros Image. He works on many projects like GAINSBOURG, RUST AND BONE, 9-MONTH STRETCH and STRONGER. In 2017, he joined the teams of Mr. X.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.

Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...

Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.