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The Last Duel: Kristina Prilukova (VFX Producer), Romain Bavent (Compositing Supervisor),...

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From August 2020 to April 2021, the Parisian teams of MPC Film & Episodic (formerly Mikros VFX) crafted 230 shots on Ridley Scott's latest...

Blood Red Sky: Falk Büttner – VFX Supervisor – Scanline VFX

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Falk Büttner has been working in visual effects for about 20 years. He has worked on projects such as Cloud Atlas, Who Am I...

Loki: David Seager (VFX Supervisor), George Kuruvilla (CG Supervisor), Dan Mayer...

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Back in 2020, David Seager explained ILM's work on Terminator: Dark Fate. He then worked on We Can Be Heroes. Today he tells us...

Peter Rabbit 2 – The Runaway: Will Reichelt (Overall VFX Supervisor)...

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Back in 2018, Will Reichelt explained in detail Animal Logic's work on Peter Rabbit. He's back today to tell us about the film's sequel. Simon...

For All Mankind – Season 2: Jay Redd – Overall VFX...

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Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

The Midnight Sky: Matt Kasmir & Chris Lawrence – Overall VFX...

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Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

THE CHRISTMAS CHRONICLES 2: Martin Hill (Overall VFX Supervisor), Nick Stein...

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In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

THE UMBRELLA ACADEMY – Season 2: Everett Burrell – Senior Visual...

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In 2019, Everett Burrell had explained to us his work on the 1st season of THE UMBRELLA ACADEMY. He is back today to tell us about the new season of this particular family.

ALTERED CARBON – SEASON 2: Dan Charbit (VFX Supervisor) & Barry...

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Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

IRON SKY: THE COMING RACE

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Here is the third teaser for IRON SKY - THE COMING RACE: The VFX are made by: Pixomondo (VFX Supervisor: Thilo Ewers) MovieBrats Studios (VFX Supervisor: Moritz...