ftrack banner

iron man - search results

If you're not happy with the results, please do another search

LOST Final Season: Adam Avitabile – VFX Supervisor – Look Effects

0
Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.

HARRY POTTER AND THE DEATHLY HALLOW Part 1: Andy Robinson –...

1
After working several years at Toybox and Mr. X, Andy Robinson joined Cinesite in 2004. He worked on numerous projects such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT.

HARRY POTTER AND THE DEATHLY HALLOW Part 1: Holger Voss –...

0
After working several years with H5B5 and FrameFx, Holger Voss joined Cinesite in 2003 where he worked on a wide variety of projects for film such as THE GOLDEN COMPASS, MOON or V FOR VENDETTA but also on TV series like GENERATION KILL.

CENTURION: Jacob Otterström – VFX Supervisor – Filmgate

0
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.

RESIDENT EVIL AFTERLIFE 3D: Ara Khanikian – Lead Compositing – Rodeo...

0
After we have talked about the visual effects of Rodeo FX on JONAH HEX, Ara Khanikian gave me a new interview to talk about RESIDENT EVIL : AFTERLIFE 3D.

THE SORCERER’S APPRENTICE: Adrian de Wet – VFX Supervisor – Double...

0
After several years at London Computer Film Company, Adrian de Wet goes to California at ESC Entertainment to work on THE MATRIX RELOADED. Back in London, he worked for many studios such as Framestore, MPC and Double Negative, that he joined in 2007.

TOY STORY 3: Simon Christen – 3D Animator – Pixar

0
[lang_fr]Après ses études en Suisse, Simon Christen est venu en Californie pour étudier à l'Academy of Art University de San Francisco. Une fois diplômé, il a fait un premier travail chez Pixar puis ensuite chez Disney avant de retourner chez Pixar où il a travaillé depuis sur RATATOUILLE, UP et TOY STORY 3. Dans l'interview qui suit, il nous parle de son travail sur TOY STORY 3. Pour lire l'interview, cliquer ici. // Version originale: Anglais[/lang_fr][lang_en]After his studies in Switzerland, Simon Christen came to California to study at the Academy of Art University in San Francisco. After graduation, he took a first job at Pixar and then Disney before going back at Pixar, where he has worked since on RATATOUILLE, UP and TOY STORY 3. In the following interview, he talks to us about his work on TOY STORY 3. To read the interview, click here. // Original version: English.[/lang_en]

INCEPTION: Paul Franklin – VFX Supervisor – Double Negative

4
After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.

JONAH HEX: Ara Khanikian – Lead Compositing – Rodeo FX

1
Ara Khanikian evolves in the midst of visual effects of Montreal since nearly 10 years, he has gone through many studios like Buzz Image, Hybride or Rodeo FX. He has worked on projects such as THE FOUNTAIN, 300, THE X-FILES, TERMINATOR SALVATION or TWILIGHT: ECLIPSE. In the following interview, he talks to us about his work on JONAH HEX.

THE A-TEAM: Bill Westenhofer – VFX Supervisor – Rhythm & Hues

0
Rhythm & Hues for nearly 15 years, Bill Westenhofer has overseen many projects such as BABE, STUART LITTLE, CATS & DOGS, MEN IN BLACK 2 or THE CHRONICLES OF NARNIA. In 2008, he received an Academy Award ® for Achievement in Visual Effects for his work on THE GOLDEN COMPASS. In the following interview, he talks to us about his work on THE A-TEAM.