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In 2015, Glenn Melenhorst had told us about the work of Iloura on TED 2. He then worked on the TV miniseries CHILDHOOD'S END. His next project was GAME OF THRONES that he explains in detail today. And then he moved on GHOSTBUSTERS.
Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.
Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.
Anthony Smith has over 14 of experience in compositing. He joined Framestore for KINGDOM OF HEAVEN. He then worked on films like QUANTUM OF SOLACE, SHERLOCK HOLMES, IRON MAN 3 or GRAVITY.
Nicolas Hernandez co-founded Milk VFX in 2013. Before that he worked at Framestore and The Mill. He has worked on numerous projects such as SNOW WHITE AND THE HUNTSMAN, DREDD, 47 RONIN and many TV series such as DOCTOR WHO.
Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.
After studying in Korea and Canada, Eui Park returned to Korea and worked at Next Visual Studio on over 40 films including THE CHASER, THREE KINGDOMS or THE MUREDERER. In the following interview, he talks about his work on 14 BLADES (YI JIN WEI).
Max Ivins worked for more than 15 years in the VFX. Before joining the staff of Look Effects, he has worked at Digital Domain, Blue Sky / VIFX or Rhythm & Hues. He has participated in projects such as ARMAGEDDON, APOLLO 13, or BLOOD DIAMOND. He oversaw the effects of films like SCOOBY DOO 2, BEDTIME STORIES, or AVATAR. In the following interview, he talks about his work on CAPTAIN AMERICA.
Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.