sidefx banner

ender game - search results

If you're not happy with the results, please do another search

AVENGERS – ENDGAME: Matt Aitken (VFX Supervisor), Sidney Kombo-Kintombo (Animation Supervisor)...

2
In 2016, Matt Aitken explained the work of Weta Digital on INDEPENDENCE DAY: RESURGENCE. He then worked on AVENGERS: INFINITY WAR. He speaks to us today about his work on AVENGERS: ENDGAME with Sidney Kombo-Kintombo (Animation Supervisor) and Gerardo Aguilera (FX Supervisor).

AVENGERS – ENDGAME: Stuart Penn (VFX Supervisor) with Max Solomon (Animation...

0
In 2017, Stuart Penn explained to us the work of Framestore on ALIEN: COVENANT. He then took care of the effects of the films KINGSMAN: THE GOLDEN CIRCLE and PADDINGTON 2.

AVENGERS – ENDGAME: Scott Edelstein – Associate VFX Supervisor – Digital...

0
Scott Edelstein has more than 20 years of experience in visual effects. He joined Digital Domain in 2001 and works on many movies such as THE AVENGERS, JACK THE GIANT SLAYER, DEADPOOL, AVENGERS: INFINITY WAR.

AVENGERS – ENDGAME: Simon Stanley-Clamp – VFX Supervisor – Cinesite

0
In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.

GAME OF THRONES – SEASON 6: Sven Martin – VFX Supervisor...

0
Last year, Sven Martin had explained to us in detail about the work of Pixomondo on BRIDGE OF SPIES. He talks today about the dragons for the season 6 of GAME OF THRONES. Be sure to watch the new making of about their work at the end of the interview!

THE IMITATION GAME: Stuart Bullen – VFX Supervisor – BlueBolt

0
Stuart Bullen began his career in the VFX almost 10 years ago. He worked many years at MPC on projects such as THE WOLFMAN, GI JOE: THE RISE OF COBRA and QUANTUM OF SOLACE. He joined BlueBolt in 2010 and worked on films like THE IRON LADY, THE CLOUD ATLAS or MONUMENTS MEN.

THE HUNGER GAMES – MOCKINGJAY PART 1: Charles Gibson – Production...

0
Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

Game Cinematic Reel by post23

0
Nice game cinematic reel by post23 featuring ENDER'S GAME, STRIDER and more: © Vincent Frei – The Art of VFX – 2014

THE HUNGER GAMES – CATCHING FIRE: Guy Williams – VFX Supervisor...

0
In May, Guy Williams has explained to us in details about the work of Weta Digital on IRON MAN 3. Now he talks about his work on THE HUNGER GAMES - CATCHING FIRE.

GAME OF THRONES (Season 3): Doug Campbell – VFX Supervisor –...

0
After explaining the work of Spin VFX on the TV series THE BORGIAS, Doug Campbell has worked as a senior compositor on THE TWILIGHT SAGA: BREAKING DAWN - PART 2 and JACK REACHER. He now talks about his work on the third season of GAME OF THRONES.