captain america civil war - search results
If you're not happy with the results, please do another search
This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...
Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.
Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.
In 2017, Alexis Wajsbrot explained the work of Framestore on THOR: RAGNAROK. He is back in the MCU with SPIDER-MAN: FAR FROM HOME.
Last year Russell Earl explained to us the work of Industrial Light & Magic on AVENGERS: INFINITY WAR. He is back today with Dan Snape (VFX Supervisor), Kevin Martel (Animation Supervisor) and Abs Jahromi (Facial Technology Supervisor) to talk about AVENGERS: ENDGAME.
In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.
In 2016, Jeff White explained the work of ILM on WARCRAFT. He then worked on KONG: SKULL ISLAND. Cedric Lo began his career in visual effects in the early 2000s. He worked on many films such as TRANSFORMERS: DARK OF THE MOON, PACIFIC RIM, CAPTAIN AMERICA: CIVIL WAR and WARCRAFT.
In 2015, Paul Franklin talked to us about DNEG's work on INTERSTELLAR. He then worked on MISSION: IMPOSSIBLE - ROGUE NATION, THE ONES BELOW, CAPTAIN AMERICA: CIVIL WAR, BLADE RUNNER 2049 and FIRST MAN.
At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.
Before joining Trixter in 2017, Michael Wortmann worked in several studios such as Animal Logic, Cinesite, Weta Digital, Pixomondo and Chimney. As a VFX Supervisor, he took care of the effects of shows like GAME OF THRONES, STAR TREK: INTO DARKNESS, GOOD KILL and ATOMIC BLONDE.