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In 2017, Tom Proctor explained the work of DNEG on A CURE FOR WELLNESS. He then worked on JUSTICE LEAGUE. He talks to us today about his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, his first participation on a film from the Harry Potter universe.
In 2014, Nordin Rahhali explained the work of Method Studios on the remake of ROBOCOP. He then worked on many films such as HERCULES, INTO THE STORM, SAN ANDREAS, FANTASTIC BEASTS AND WHERE TO FIND THEM and GUARDIANS OF THE GALAXY VOL. 2.
In 2017, Andy Kind told us about Framestore's work on PADDINGTON 2. He explains today his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD. In 2016, Nicolas Chevallier explained the work of Cinesite on THE REVENANT. He then worked on X-MEN: APOCALYPSE, NOW YOU SEE ME 2 and BLACK SAILS. He joined Framestore in 2017.
Lars Andersen began his visual effects career in 2011 at Cutting Edge. He works on many films such as I, FRANKENSTEIN, PREDESTINATION and THE AGE OF ADALINE. He joined One of Us in 2016 and takes care of the effects of films like LIFE and THE CURRENT WAR.
Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.
In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.
In 2016, Tim Burke and Christian Manz told us in detail about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM. They are now back to tell us more about THE CRIMES OF GRINDELWALD.
Yifu Zhou joined Digital Domain in 2013. He has worked on many commercials and also on MALEFICENT. He serves as Visual Effects Supervisor & VP and Head of Studio for Digital Domain Beijing.
In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.
Mikros MPC Advertising present their work on this CIEL commercial: CREDITS Creative director/VFX supervisor : Laurent Creusot CGI supervisor : Guillaume Dadaglio VFX producer : Pascal Giroux Character designer...