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ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...
Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.
THE WALK: Kevin Baillie – Overall VFX Supervisor – Atomic Fiction
During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.
CAPTAIN AMERICA – THE WINTER SOLDIER: Russell Earl – VFX Supervisor...
After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.
PROMETHEUS: Charley Henley – VFX Supervisor – MPC
Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.
THE GREY: Christian Garcia – CG Supervisor – Digital Dimension
Christian Garcia has worked on a various number of projects such as HEAVY METAL 2000, PINOCCHIO 3000 or the TV series CHARLIE JADE. Subsequently, he joined the teams of Digital Dimension where he will oversee the CG on films like RED CLIFF, THE PINK PANTHER 2 or THE SPIRIT. In the following interview, he talks about the CG wolves for THE GREY.
SEASON OF THE WITCH: Blair Clark – VFX Supervisor – Tippett...
Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.
Netflix to acquire Scanline VFX!
Great news! Netflix have announced yesterday their plans to acquire the visual effects studio, Scanline VFX!
Here is the press release:
Bringing More VFX Magic to...
Chupa: Matt Glover & Mitch Drain – VFX Supervisors
In 2019, Matt Glover explained the visual effects work done by Mr. X (now MPC) on the first season of Carnival Row. He then...
She-Hulk – Attorney at Law: Jan Phillip Cramer (VFX Supervisor) with...
Jan Phillip Cramer started his career in visual effects at Sony Pictures Imageworks in 2005. He then joined Weta FX in 2007 and Digital...
Foundation: Nicolas Hernandez – VFX Supervisor – Important Looking Pirates
Back in 2014, Nicolas Hernandez explained the work of Milk VFX on Hercules. Then he went to work on movies such as Ex Machina,...