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Hawkeye: Vincent Papaix (VFX Supervisor) with Mathew Cowie (Animation Supervisor) –...

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In 2015, Vincent Papaix told us about the work of Digital Domain on Lost River. He then worked on Furious 7 and Deadpool and...

Home Sweet Home Alone: Martin Lipmann – Production VFX Supervisor

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In 2014, Martin Lipmann told us about Vision Globale (now MELS) work for Brick Mansions. He then joined the Rodeo FX teams in 2015...

The Matrix Resurrections: Huw Evans (VFX Supervisor) with Benjamin Cowell-Thomas (Environment...

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Back in 2018, Huw Evans explained the work done by the teams of DNEG on Mission: Impossible - Fallout. He then went on to...

The King’s Man: Charlie Tait – VFX Supervisor – Weta Digital

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Back in 2016, Charlie Tait explained the work made by Weta Digital on Deadpool. He went on to work on many shows such as...

Venom – Let There Be Carnage: Chris McLaughlin – VFX Supervisor...

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Chris McLaughlin joined the DNEG team in 2010. He has worked on a number of projects including John Carter, Terminator Genisys, Blade Runner 2049...

The Tomorrow War: Stephane Naze (VFX Supervisor) & Kyle Dunlevy (Animation...

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In 2018, Stephane Naze explained the work of Framestore on Deadpool 2. He then worked on Artemis Fowl and on the series His Dark...

Lisey’s Story: Pauline Duvall – Overall VFX Supervisor

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In 2016, Pauline Duvall told us about her work on Deadpool! She then worked on many films such as 10 Cloverfield Lane, Star Trek...

Love, Death + Robots – Volume 2: Tim Miller (Creator &...

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In 2019, Tim Miller had explained his work on the first season of Love, Death + Robots but also on Terminator: Dark Fate. Today...

DNEG Motion Graphics Showreel

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Fans of motion graphics? Then be sure to watch this showreel by DNEG featuring the work on Hobbs & Shaw, Altered Carbon, Star Trek:...

ALTERED CARBON – SEASON 2: Dan Charbit (VFX Supervisor) & Barry...

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Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.