9 month stretch - résultats de la recherche

Damien Hurgon began his career in visual effects in 2008 at Mikros Image. He works on many projects like GAINSBOURG, RUST AND BONE, 9-MONTH STRETCH and STRONGER. In 2017, he joined the teams of Mr. X.

Nigel Denton-Howes told us about Prime Focus's work on THE EXPENDABLES 3 in 2014. He then joined Framestore and worked on AVENGERS: AGE OF ULTRON. He talks to us today about his work as Overall VFX Supervisor on MOWGLI - LEGEND OF THE JUNGLE. In 2014, Max Solomon told us about the work of Framestore on GRAVITY. He then works on JUPITER ASCENDING.

Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.

Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.

Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.

In 2016, Dan DeLeeuw explained his work on CAPTAIN AMERICA: CIVIL WAR. Today, he tells us about the challenges on the epic new AVENGERS film.

Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.