9 month stretch - résultats de la recherche

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

Last year, Justin Ball explained his work on THE CURRENT WAR. He then worked on NIGHT SCHOOL, THE OA PART II and UNHINGED.

In 2018, Adrian de Wet explained his work on THE MEG. He's back today with the post-apocalyptic Apple TV+ series, SEE: Eve Fizzinoglia began her career in visual effects in 2009 at Stargate Studios. She has worked on a many shows including CALIFORNICATION, HOUSE OF LIES, RAY DONOVAN and COLONY.

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

Markus Degen began his career in visual effects in the early 2000s. He is one of the founders of RISE. As a VFX Supervisor, he took care of the effects of films like IRON MAN 3, BORGIA, AVENGERS: AGE OF ULTRON and JIM BUTTON AND LUKE THE ENGINE DRIVER.

In 2017, Theo Bialek had explained to us the work of Sony Pictures Imageworks on SPIDER-MAN: HOMECOMING. He then worked on LOVE, DEATH & ROBOTS. He talks to us today about his work on SPIDER-MAN: FAR FROM HOME.

In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.

Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

In 2011, Mark Russell explained his work on TOWER HEIST. He then worked on many films such as THE WOLF OF WALL STREET, A MOST VIOLENT YEAR, THE PROMISE and DEEPWATER HORIZON.