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TOWER HEIST: Mark Russell – Production VFX Supervisor

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After telling us about his work on THE ADJUSTMENT BUREAU, Mark Russell is back on The Art of VFX. He talks about his work on the film TOWER HEIST.

IMMORTALS: Simon Hughes – VFX Supervisor – Image Engine

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Simon Hughes began his career in visual effects in 1997 at Cinesite. For over 10 years, he worked in various studios like Double Negative, Rainmaker UK or Clear and on movies like KINGDOM OF HEAVEN, UNITED 93 or SLUMDOG MILLIONAIRE. In 2009, he joined the teams of Image Engine to work on DISTRICT 9. He subsequently oversaw the effects of film LAW ABIDING CITIZEN, THE LOSERS or THE FACTORY. In the following interview, he talks (with Gustavo Yamin, Jordan Benwick and Janeen Elliott) of his work on IMMORTALS.

THE THING: Jesper Kjolsrud – VFX Supervisor – Image Engine

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Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.

14 BLADES (JIN YI WEI): Eui Park – VFX Supervisor –...

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After studying in Korea and Canada, Eui Park returned to Korea and worked at Next Visual Studio on over 40 films including THE CHASER, THREE KINGDOMS or THE MUREDERER. In the following interview, he talks about his work on 14 BLADES (YI JIN WEI).

THE THING: Kyle Yoneda – Effects Supervisor – Mr. X

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Kyle Yoneda has worked for over 10 years in visual effects. In 2005 he joined the team of Mr. X and works on projects such as SHOOT 'EM UP, RESIDENT EVIL: EXTINCTION, Whiteout or SCOTT PILGRIM. In the following interview, he talks about his work on THE THING.

THE THREE MUSKETEERS: Eric Robinson – Digital Effects Supervisor – Mr....

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After working several years at IMAX on projects such as BATMAN BEGINS, V FOR VENDETTA or 300, Eric Robinson joined the team of Mr. X in 2010. He will participate in such films as RESIDENT EVIL: AFTERLIFE and HANNA. In the following interview, he talks about his work on THE THREE MUSKETEERS.

SHARK NIGHT 3D: Petar Jovovic – VFX Supervisor – Crater Studio

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Petar Jovovic founded with several artists and friends, Crater Studio in 2005. He has since worked on films like TEARS FOR SALE, THE READER or THE OTHER GUYS. In the following interview, he talks about his work on SHARK NIGHT 3D.

COWBOYS & ALIENS: Simon Maddison – VFX Supervisor – Fuel VFX

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Simon Maddison joined Fuel VFX nearly 11 years ago. He has worked on projects like FARSCAPE or RIVERWORLD. Then he will oversee the effects of CHARLOTTE'S WEB or BEDTIME STORIES. In the following interview, he talks about his work on COWBOYS & ALIENS.

ATTACK THE BLOCK: Mattias Lindahl – VFX Supervisor – Fido

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After telling us about his work at Double Negative on KICK ASS, Mattias Lindahl is back on The Art of VFX to tell us about his new project, ATTACK THE BLOCK, this time at Fido in Sweden.

AFTERSHOCK (TANGSHAN DADIZHEN): Phil Jones – VFX Supervisor – Technicolor Beijing

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Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.