Iron Man 3 - résultats de la recherche

Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche

THE THING: Jesper Kjolsrud – VFX Supervisor – Image Engine

2
Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.

ABDUCTION: Greg Liegey – VFX Supervisor – Method Studios

0
Greg Liegey begins his career in Visual Effects in 1992 at Cinesite L.A. where he worked on such films as UNDER SIEGE 2, CONTACT or SPACE JAM. Then he worked as freelance at Sony Imageworks and ILM. In 2002 he joined the team of CIS Hollywood (now Method Studios) and work on films like MATRIX REVOLUTIONS and CONSTANTINE. As a VFX supervisor, he has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, I AM LEGEND or FAST AND FURIOUS 4.

SPACE BATTLESHIP YAMATO: Takashi Yamazaki – Director & VFX Supervisor –...

0
Takashi Yamazaki started his career in 1986 at Shirogumi as a model artist, then it will work as a VFX designer before becoming director. It will directs movies like JUVENILE, RETURNER or DEMON WARRIOR 3. He is the VFX supervisor for most of his films. In the following interview, he talks about his work on the space opera SPACE BATTLESHIP YAMATO.

SHAOLIN (XIN SHAO LIN SI): Eddy Wong – VFX Supervisor and...

0
Eddy Wong founded Menfond Electronic Art in 1990 with his brother Victor. They are the first to create the full computer graphics in China, it was for the commercial EPRO Paging. There are also working on cinematics for video games like PARASITE EVE or FINAL FANTASY VIII. In 2001, they created the first full CG animation feature, MASTER Q, with director Tsui Hark. Eddy Wong supervised the VFX of many films including INFERNAL AFFAIRS trilogy, LEGEND OF ZU, HOUSE OF FLYING DAGGERS or NEW POLICE STORY. In the following interview, he talks about his work on the film SHAOLIN.

THE THING: Kyle Yoneda – Effects Supervisor – Mr. X

2
Kyle Yoneda has worked for over 10 years in visual effects. In 2005 he joined the team of Mr. X and works on projects such as SHOOT 'EM UP, RESIDENT EVIL: EXTINCTION, Whiteout or SCOTT PILGRIM. In the following interview, he talks about his work on THE THING.

JOHNNY ENGLISH REBORN: Rob Duncan – VFX Supervisor – Framestore

0
Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.

CAPTAIN AMERICA – THE FIRST AVENGER: Alessandro Cioffi – VFX Supervisor...

0
I had the pleasure to interview Alessandro Cioffi in 2010 for his work on NINJA ASSASSIN at Trixter. Since then he has worked on films like PERCY JACKSON, IRON MAN 2 or X-MEN FIRST CLASS. In the following interview, Alessandro talks about his work on CAPTAIN AMERICA.

THE THREE MUSKETEERS: Eric Robinson – Digital Effects Supervisor – Mr....

0
After working several years at IMAX on projects such as BATMAN BEGINS, V FOR VENDETTA or 300, Eric Robinson joined the team of Mr. X in 2010. He will participate in such films as RESIDENT EVIL: AFTERLIFE and HANNA. In the following interview, he talks about his work on THE THREE MUSKETEERS.

CAPTAIN AMERICA – THE FIRST AVENGER: Max Ivins – VFX Supervisor...

0
Max Ivins worked for more than 15 years in the VFX. Before joining the staff of Look Effects, he has worked at Digital Domain, Blue Sky / VIFX or Rhythm & Hues. He has participated in projects such as ARMAGEDDON, APOLLO 13, or BLOOD DIAMOND. He oversaw the effects of films like SCOOBY DOO 2, BEDTIME STORIES, or AVATAR. In the following interview, he talks about his work on CAPTAIN AMERICA.

FINAL DESTINATION 5: Chad Wiebe – VFX Supervisor – Prime Focus

6
Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.