Iron Man 2 - résultats de la recherche

After explaining his work on CAPTAIN AMERICA, Dave Morley is back on The Art of VFX. In this new interview, he tells us his work on MISSION IMPOSSIBLE: GHOST PROTOCOL. This film is the second collaboration of Fuel VFX with ILM.

Sirio Quintavalle started as a trainee at Framestore almost 15 years ago. He has worked on films like LOST IN SPACE, THE GOLDEN COMPASS, THE DARK KNIGHT or CLASH OF THE TITANS. In the following interview, he talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Prior to joining MPC Vancouver, Seth Maury has worked for studios like Warner Digital Studios, Cinesite and Sony Pictures Imageworks. His career counts films like HOLLOW MAN, BIG FISH, SPIDERMAN 2 or ALICE IN WONDERLAND. In the following interview, Seth talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.

Sean Andrew Faden began his career in 1996 at Digital Domain where he worked on films such as THE FIFTH ELEMENT, TITANIC, FIGHT CLUB or RED PLANET. In 2004 he joined the team of Asylum Visual Effects and participate on films like CHARLIE AND THE CHOCOLATE FACTORY, THE CURIOUS CASE OF BENJAMIN BUTTON or DOMINO. In 2009, he joined Method Studios and oversee the visual effects of films such as LET ME IN, GULLIVER'S TRAVELS or CAPTAIN AMERICA: FIRST AVENGER. In the following interview, he talks about his work on THE GIRL WITH THE DRAGON TATTOO.

Geoffrey Hancock has been evolving for over 10 years in visual effects, he worked at Gajdecki Visual Effects, Rainmaker and CIS Vancouver, the latter of which is now Method Studios. Geoffrey has worked on films like I Robot, VANTAGE POINT or NIGHT AT THE MUSEUM. This is his third collaboration with Clint Eastwood, he oversaw the effects of CHANGELING and INVICTUS. Ollie Rankin worked at Weta for the first two LORD OF THE RINGS and then joined the teams of MPC and has worked on films such as KINGDOM OF HEAVEN, WATCHMEN or HARRY POTTER AND THE HALF-BLOOD PRINCE. For the occasion of INVICTUS, Ollie joined CIS Vancouver.

Kyle Cooper has designed and directed over 150 film title sequences, the most known is SEVEN. Among his recent work, we find THE WALKING DEAD, FINAL DESTINATION 5 or X-MEN FIRST CLASS. He is the founder of the studios Imaginary Forces and Prologue Films. Ahmet Ahmet worked over 10 years in the creation of film title sequences. He handled the title of movies such as THE ONE, SPIDER-MAN, IMAGINE THAT or THE TWILIGHT SAGA: ECLIPSE. In the following interview, they talk about their work on MISSION IMPOSSIBLE: GHOST PROTOCOL.

John Knoll joined ILM in 1986 as motion control camera operator to work on INNERSPACE and WILLOW. He will then work on THE ABYSS. He's promoted as VFX Supervisor in 1990 for the film THE HUNT OF THE RED OCTOBER (with Scott Squires). He will oversee the PIRATES OF THE CARIBBEAN and STAR WARS trilogies. He will also participate in MISSION TO MARS, SPEED RACER, AVATAR or recently RANGO. He is with his brother Thomas, one of the creators of the software Photoshop. He received nine awards including the Oscar for Best Visual Effects for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST and more than 20 nominations. In the following interview, he talks about his work on MISSION IMPOSSIBLE: GHOST PROTOCOL that marks his return on this franchise since he had supervised the effects of the first MISSION IMPOSSIBLE.

Vincent Poitras began in the visual effects on the movie 300 at Buzz Image Group in 2006. He then worked on films such as FLOOD or DOOMSDAY. In 2008 he joined the team of Rodeo FX. He will participate in all major projects of the studio such as MR NOBODY, REPO MEN, DEATH RACE or recently THE THREE MUSKETEERS. In the following interview, Vincent talks about his work on IMMORTALS.

Matt Aitken joined Weta Digital just after its creation in 1994. He participated in all major projects of the studio as THE FRIGHTENERS, the LORD OF THE RINGS trilogy, I ROBOT, KING KONG or AVATAR. He won two VES Awards for KING KONG and THE LORD OF THE RINGS: THE TWO TOWERS. In the following interview, he talks about his work on THE ADVENTURES OF TINTIN.