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CAPTAIN AMERICA – THE WINTER SOLDIER: Russell Earl – VFX Supervisor...

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After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.

Interviews of the Week #13

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300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with Sheldon Stopsack and Adam Davis (CG Supervisors) – MPC In 2012, Charley Henley had...

ROBOCOP: Nordin Rahhali – VFX Supervisor – Method Studios

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Nordin Rahhali is evolving for more than 15 years in the visual effects. Before joining the teams of Method Studios, he worked at CORE Digital Pictures or Digital Domain. He has worked on many projects such as BLADE II, TRANSFORMERS, 2012 or IRON MAN 3.

INDUSTRIAL LIGHT & MAGIC: London and Vancouver expansion plans

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David S. Cohen have published a really interesting article about the expansion plans of Industrial Light & Magic for London and Vancouver. In Vancouver, the...

ENDER’S GAME: Matthew Butler – Overall VFX Supervisor – Digital Domain

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Matthew Butler had told us the work of Digital Domain for TRANSFORMERS: DARK OF THE MOON in 2011. Since then he has worked on...

ELYSIUM: Andrew Chapman – Associate VFX Supervisor – Image Engine

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After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

OBLIVION: Bjørn Mayer – VFX Supervisor – Pixomondo

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Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

A GOOD DAY TO DIE HARD: Joe Farrell – VFX Supervisor...

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After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.

SKYFALL: Lara Lom – Senior VFX Coordinator – MPC

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Lara Lom began her VFX career at Pixomondo and worked on the films FAST FIVE and HUGO. She then joined MPC in 2012 and participated in numerous projects such as DARK SHADOWS, TOTAL RECALL and PROMETHEUS.

THE AVENGERS: Jeff White – VFX Supervisor – ILM

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Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.