guardians of the galaxy vol 2 - résultats de la recherche

Tara DeMarco has over 20 years experience in visual effects as a Flame artist. She worked for over 12 years at The Mill before...

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

In 2017, Guy Williams explained the work of Weta Digital on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on GEMINI MAN.

Dietrich Hasse started working in visual effects 20 years ago. He has worked on many films like PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF, IRON MAN 2, THE AVENGERS and IRON MAN 3.

In 2016, Matt Aitken explained the work of Weta Digital on INDEPENDENCE DAY: RESURGENCE. He then worked on AVENGERS: INFINITY WAR. He speaks to us today about his work on AVENGERS: ENDGAME with Sidney Kombo-Kintombo (Animation Supervisor) and Gerardo Aguilera (FX Supervisor).

In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.

Last year, Nick Crew explained the work of Scanline VFX on TOMB RAIDER. He then worked on THE MEG.

In 2017, Christian Kaestner explained the work of Framestore on KING ARTHUR: LEGEND OF THE SWORD. He then worked on GEOSTORM and MARY POPPINS RETURNS.

Last year, Craig Hammack explained the work of ILM on BLACK PANTHER and SKYSCRAPER. He talks to us today about CAPTAIN MARVEL.

In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.