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MIRROR MIRROR: Stuart Lashley – VFX Supervisor – Prime Focus

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Stuart Lashley began his career 10 years ago at MPC and works on projects such as TROY, SUNSHINE or WATCHMEN. In 2010, he joined Prime Focus teams. In the following interview, he discusses his work on MIRROR MIRROR.

JOHN CARTER: Peter Chiang – VFX Supervisor & Co-founder – Double...

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Peter Chiang started working in visual effects at the opticals period on projects such as HIGHLANDER, LABYRINTH, or BATMAN. In 1998 he is one of the founders of Double Negative. He has since overseen an impressive number of projects such as PITCH BLACK, ENEMY AT THE GATES, THE CHRONICLES OF RIDDICK, THE BOURNE ULTIMATUM or GREEN ZONE. In the following interview, he discusses his work on JOHN CARTER.

WAR HORSE: Mike Mulholland – CG Supervisor – Framestore

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Before joining Framestore, Mike Mulholland worked at Cinesite on projects such as LARA CROFT: TOMB RAIDER and the TV series BAND OF BROTHERS then at ESC Entertainment for CATWOMAN. At Framestore, Mike has participated on films like AVATAR, CLASH OF THE TITANTS or WHERE THE WILD THINGS ARE. In the following interview, Mike accompanied by Ben Morris (VFX Supervisor) and Duncan Burbidge (VFX Producer) talk about their work on WAR HORSE.

JOHNNY ENGLISH REBORN: Rob Duncan – VFX Supervisor – Framestore

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Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.

HARRY POTTER AND THE DEATHLY HALLOWS PART 2: David Vickery –...

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David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

THOR: Vincent Cirelli – VFX Supervisor – Luma Pictures

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Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

THE ADJUSTMENT BUREAU: J. John Corbett – Animation & Design Supervisor...

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J. John Corbett has worked on a impressive number of main titles for TV series such as LIFE IS WILD or 30 ROCK and also for movies like INTOLERABLE CRUELTY, THE DEVIL WEARS PRADA or NO COUNTRY FOR OLD MEN. He received a VES Award for BOARDWALK EMPIRE and was nominated for a Prime Time Emmy for the title sequence of ANGELS IN AMERICA.

BLACK SWAN: Dan Schrecker – VFX Supervisor – Look Effects

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Dan Schrecker has worked on all the movies of Darren Aronofsky's from PI to BLACK SWAN. He also worked on films such as THE DARJEELING LIMITED, ACROSS THE UNIVERSE or LAW ABIDING CITIZEN and the TV serie THE SOPRANOS. In 2008, he joined the staff of Look Effects.

KICK ASS: Mattias Lindahl – VFX Supervisor – Double Negative

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Coming from Sweden, Mattias Lindahl began his career at Lego, then he left for London where he worked at Jim Henson's Creature Shop and at Double Negative in 2001. After nearly 10 years at Double Negative, he returned to Sweden this year and works at Fido. In the following interview, he talks about his work on KICK ASS.

GAINSBOURG (vie héroïque): Cédric Fayolle – VFX Supervisor – Mikros Image

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Having worked as digital compositor at Mikros Image on films such as THE DALTONS, LOCKED OUT or TELL NO ONE, Cédric Fayolle becomes visual effects supervisor on PRICELESS. It since supervised several films like THE FOX AND THE CHILD, TOKYO!, THE VILLAIN. In the interview which follows, he speaks to us in particular about his collaboration with the director.