War of the Worlds - résultats de la recherche

On last month, Simon Carr explained to us in detail his work on EXODUS: GODS AND KINGS. He speaks to us today about the impressive work of Method Studios on the new sci-fi movie by The Wachowskis, JUPITER ASCENDING.

Great news! Rodeo FX is opening an office in Los Angeles! Matte Painter Deak Ferrand and Executive Producer Chery Bainum from Hatch FX are joining...

Earlier this year, Ollie Rankin explained the work of Method Studios on GI JOE: RETALIATION. Now he explains his work on WHITE HOUSE DOWN.

Jan Krupp is working in the visual effects for more than 14 years. At Scanline VFX, He participated in many films such as DOWNFALL, THE AVENGERS or CLOUD ATLAS.

After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.

Ryan Tudhope worked for The Orphanage and ImageMovers Digital on projects like HELLBOY, SIN CITY, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or MARS NEEDS MOMS. In 2011, he founded Atomic Fiction with Kevin Baillie and supervises the effects of films like JACK AND JILL and UNDERWORLD AWAKENING.

Olivier Cauwet joined BUF Compagnie in 1998. He will work on projects like FIGHT CLUB, THE MATRIX RELOADED, ALEXANDER or BATMAN BEGINS. He is also overseeing projects like LES DEUX MONDES, CITY OF EMBER or ARTHUR 3: THE WAR OF THE TWO WORLDS. In the following interview, he talks about the challenge of giving life to the Marsupilami.

Greg Liegey begins his career in Visual Effects in 1992 at Cinesite L.A. where he worked on such films as UNDER SIEGE 2, CONTACT or SPACE JAM. Then he worked as freelance at Sony Imageworks and ILM. In 2002 he joined the team of CIS Hollywood (now Method Studios) and work on films like MATRIX REVOLUTIONS and CONSTANTINE. As a VFX supervisor, he has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, I AM LEGEND or FAST AND FURIOUS 4.

After studying at the School of Art and Design of Zurich, Raffael Dickreuter joined the team of Pixel Liberation Front. He worked in many projects such as SUPERMAN RETURNS, TERMINATOR SALVATION, IRON MAN 2 or AVATAR. In 2002, he founded the reference site XSI Base.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.