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DARKEST HOUR: Stephane Nazé – VFX Supervisor – Framestore

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Stephane Nazé has been working in visual effects for more than 20 years. He worked at BUF and Method Studios before joining Framestore in 2014. As VFX Supervisor at Framestore, he took care of the effects of PAN, NOW YOU SEE ME 2 and FANTASTIC BEASTS AND WHERE TO FIND THEM.

PADDINGTON 2: Andy Kind & Glen Pratt – VFX Supervisors –...

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Andy Kind has been working in visual effects for over 24 years. He worked on many projects like CATS AND GODS, BABE: PIG IN THE CITY and GLADIATOR. Then he joined Framestore in 2001 and work on many Harry Potter movies, CHILDREN OF MEN, THE GOLDEN COMPASS, GRAVITY and the first PADDINGTON movie. Glen Pratt began his visual effects career in 2001 at Double Negative. He then worked in many studios such as MPC, LipSync Post, Nexus Productions and Framestore. He has worked on films like TOTAL RECALL, DRACULA UNTOLD, EVEREST and BEAUTY AND THE BEAST.

IT: Kendrick Wallace – Production VFX Producer

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In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.

ALIEN – COVENANT: Charley Henley – Production VFX Supervisor – MPC

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In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.

ALIEN – COVENANT: Ferran Domenech – VFX Supervisor – MPC

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Few months ago, Ferran Domenech explained to us in detail about the MPC's work on A MONSTER CALLS. He also took care of the visual effects of FANTASTIC BEASTS AND WHERE TO FIND THEM. Today, he talks to us about his work on ALIEN: COVENANT.

LIFE: Huw Evans – VFX Supervisor – Double Negative

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Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.

A MONSTER CALLS: Ferran Domenech – VFX Supervisor – MPC

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In 2014, Ferran Domenech told us about the animation work of MPC on GODZILLA. He then worked on NIGHT AT THE MUSEUM: SECRET OF THE TOMB, THE LEGEND OF TARZAN and FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work as a VFX Supervisor.

ARRIVAL: Louis Morin – Production VFX Supervisor

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In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Frazer Churchill – Production VFX...

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In 2013, Frazer Churchill explained to us about the work of Double Negative on THE WORLD'S END. He then became independent VFX supervisor and works with the legendary film director Tim Burton.

WARCRAFT: Hal Hickel – Animation Supervisor – Industrial Light & Magic

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In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...