13 hours - résultats de la recherche

The team of Blur Studio composed of Tim Miller (Director & Founder), Pauline Duvall (VFX Supervisor) and Franck Balson (Previsualization Supervisor) talks about the various challenges faced on DEADPOOL.

In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.

Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.

In 2013, VFX Supervisor Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.

During his last visit, Dadi Einarsson talked to us about his work on CONTRABAND. He then worked on films such as THE DEEP, BOARDWALK EMPIRE and GRAVITY. Framestore Reykjavik also became independant and is now called RVX.

During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

In 2013, Christopher Townsend had explained in detail his work on the third IRON MAN movie. He is back on a new Marvel movie with the sequel for The Avengers, AVENGERS - AGE OF ULTRON.

In 2013, Chris Harvey explained to us the work of Image Engine on ZERO DARK THIRTY. He then worked on FAST & FURIOUS 6 and R.I.P.D. Today, he talks about his work on CHAPPIE.

In 2012, Sue Rowe explained in details the work of Cinesite on JOHN CARTER. She then joined Method Studios in Vancouver and worked on ENDER'S GAME.

Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.