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Before overseeing movies, Louis Morin was a freestyle skier then began working on commercials. In 2000, he joined Buzz Image where he oversaw such films as THE AVIATOR, THE FOUNTAIN, or THE ETERNAL SUNSHINE OF THE SPOTLESS MIND. In 2006, he became freelance supervisor and supervised the VFX for films like I'M NOT THERE, THE AMERICAN or MR. NOBODY.

Derek Spears begins his career in 1994, the movie LITTLE NICKY marks his debut as VFX Supervisor at Rhythm & Hues, since then he has oversees the effects of films such as THE SUM OF ALL FEARS, DAREDEVIL, SUPERMAN RETURNS, or THE MUMMY 3. In the following interview, he discusses his work on RED RIDING HOOD.

After working many years at BUF on projects such as ALEXANDER, MATRIX 3, HARRY POTTER 4, BATMAN BEGINS, or THE PRESTIGE, Nicolas Bonnell and Laurens Ehrmann founded in 2007 the VFX studio Plug Effects. They have since worked on films like THE DIVIDE and TWILIGHT ECLIPSE.

Guilaume Pondard joined in 1998. For almost 10 years he worked there as Flame artist and 2D supervisor on commercials and music videos. In 2009, he participated in the installation of Mikros Image Liege and worked on films such as COCO BEFORE CHANEL, DON'T LOOK BACK and THE OTHER WORLD.

Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.

Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.

Since his interview about PERCY JACKSON, Guillaume Rocheron worked on SUCKER PUNCH. In the following interview, he talks about his work on this show.

Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.

Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.

Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.