the bubble - résultats de la recherche

Robert Pinnow has been working in visual effects for almost 20 years. He founded RISE in 2007 with Florian Gellinger, Sven Pannicke and Markus...

Kaori Otagaki has more than 10 years of experience in visual effects. She has worked many times with director Takashi Miike such as ZEBRAMAN...

In 2014, Anthony Smith told us about the Framestore's work on PADDINGTON. He then joined Rising Sun Pictures and worked on many films such as X-MEN: APOCALYPSE, GAME OF THRONES and LOGAN.

In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.

Eric J. Robertson worked in visual effects and production for over 20 years. He worked on more than 80 films such as DAWN OF THE DEAD, THE DA VINCI CODE, SILENT HILL or NOAH. He founded the studio Mr. X Gotham.

Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

Lindy DeQuattro worked at ILM for over 15 years. She has participated in projects such as DEEP IMPACT, MINORITY REPORT, HULK or VAN HELSING. As visual effects supervisor, she took care of movies like RUSH HOUR 3, CLONES or THE GREAT GATSBY.

Arundi Asregadoo is back on The Art of VFX. After he had talked about the effects on DARK SHADOWS, he explains the work of MPC on the final sequence of SKYFALL.