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A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

New game cinematic on The Art of VFX with THE WITCHER 2. Maciej Jackiewicz (Animation Director), Bartek Opatowiecki (Senior TD) and Lukasz Sobisz (FX TD) of Platige Image explain in details the creation process for this animation.

Ronald Grauer has over 10 years of experience in visual effects. He has worked in studios such as Duboi Duran, Victor or Grid VFX. Since 3 years, he worked as VFX supervisor at Benuts. In the following interview, he discusses his work on CLOCLO (MY WAY).

Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.

Kaj Steveman worked for over 30 years in the movie business. He started as a SFX makeup. There is 11 years old, he founded the studio Fido. Kaj has since overseen the effects of many films including FROSTBITTEN, LET THE RIGHT ONE IN or HOTELL GYLLENE KNORREN - FILMEN. In the following interview, he discusses his work on UNDERWORLD: AWAKENING.

Here's my first book presentation to inaugurate this new section on The Art of VFX. I chose Industrial Light & Magic: The Art of Innovation written by Pamela Glintenkamp and edited by Abrams Books. Pamela Glintenkamp is a writer and producer, and worked as director for the Lucasfilm Archival History Project.

After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.

After graduating from Supinfocom, Damien Stumpf joined BUF and work on projects such as ARTHUR AND THE INVISIBLES, ENTER THE VOID or SOLOMON KANE. In 2009, he founded L'Atelier VFX with Antoine Marbach and Christophe Beaucarne. In the following interview, Damien talks about his work on CHICKEN WITH PLUMS.

Otto Thorbjørnsen joined Storm Studios in 2005. He worked on films like DEAD SNOW and THE TROLL HUNTER. In the following interview, he talks about his work as a VFX supervisor on the film KING OF DEVIL'S ISLAND.