furious 6 - résultats de la recherche

The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.

Brand new trailer for THE MUMMY: The VFX are made by: MPC (VFX Supervisors: Greg Butler and Arundi Asregadoo) Double Negative (VFX Supervisor: Darren Poe) Industrial Light &...

Kelvin McIlwain began his career in the visual effects as a matte painter at Illusion Arts in 1996. He take care of the effects of CENTRAL INTELLIGENCE between two films of the FAST AND FURIOUS saga. Interesting fact: he worked on all the films of this saga!

Eric J. Robertson worked in visual effects and production for over 20 years. He worked on more than 80 films such as DAWN OF THE DEAD, THE DA VINCI CODE, SILENT HILL or NOAH. He founded the studio Mr. X Gotham.

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Here is the complete list of the winners for the 14th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Photoreal Feature Star Wars: The...

Here is the complete list of the nominees for the 14th Annual VES Awards: Congratulations to everyone and good luck ;) Outstanding Visual Effects in a...

Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.

Vincent Papaix started his career in the VFX in 2009 at Mikros Image. He then worked for several studios such as Method Studios, MPC or Digital Domain. He worked on many projects as THOR, IRON MAN 3, MALEFICENT or FURIOUS 7.