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Oscars 2017: the VFX shortlist

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Here is the shortlist for the Best Visual Effects Award for the 89th Academy Awards: ARRIVAL THE BFG CAPTAIN AMERICA: CIVIL WAR DEEPWATER HORIZON DOCTOR STRANGE FANTASTIC BEASTS AND WHERE...

Oscars 2017: the 20 contenders for the Best VFX

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The Academy of Motion Picture Arts and Sciences have announced the 20 contenders for the Best Visual Effects Award for the 89th Academy Awards: ALICE...

THE REVENANT: Nicolas Chevallier – VFX Supervisor – Cinesite

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Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.

A QUIET PLACE: Scott Farrar (VFX Supervisor) & Rick O’Connor (Animation...

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In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.

ARRIVAL: Louis Morin – Production VFX Supervisor

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In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.

THE LEGEND OF TARZAN: François Dumoulin – VFX Supervisor – Rodeo...

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Last year, Francois Dumoulin talked to us about the work of Rodeo FX on FANTASTIC FOUR. He then worked on IN THE HEART OF THE SEA. After THE LEGEND OF TARZAN which he explains his work today, he is now working on VALERIAN AND THE CITY OF A THOUSAND PLANETS.

WARCRAFT: Hal Hickel – Animation Supervisor – Industrial Light & Magic

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In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...