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UNBROKEN: Bill George – VFX Supervisor – ILM

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In 2013, Bill George had explained to us the work of ILM on G.I. JOE: RETALIATION. He talks to us today about its collaboration with Angelina Jolie for UNBROKEN.

INTERSTELLAR: Paul Franklin – VFX Supervisor – Double Negative

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In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

THE THEORY OF EVERYTHING: Adam Gascoyne – VFX Supervisor & Co-founder...

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In 2011, Adam Gascoyne explained to us the work of Union VFX on 127 HOURS. Then he worked on many projects such as THE WOMAN IN BLACK, TRANCE, PHILOMENA but also on LONDON 2012 OLYMPIC OPENING CEREMONY: Isles of Wonder.

THE IMITATION GAME: Stuart Bullen – VFX Supervisor – BlueBolt

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Stuart Bullen began his career in the VFX almost 10 years ago. He worked many years at MPC on projects such as THE WOLFMAN, GI JOE: THE RISE OF COBRA and QUANTUM OF SOLACE. He joined BlueBolt in 2010 and worked on films like THE IRON LADY, THE CLOUD ATLAS or MONUMENTS MEN.

EXODUS – GODS AND KINGS: Simon Carr – VFX Supervisor –...

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Simon Carr worked for nearly 20 years in visual effects. He worked in various studios around the world and on many projects. He oversaw the effects of films such as ROCK OF AGES, OBLIVION, STAR TREK: INTO THE DARKNESS or MONUMENTS MEN.

PADDINGTON: Anthony Smith – Compositing Supervisor – Framestore

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Anthony Smith has over 14 of experience in compositing. He joined Framestore for KINGDOM OF HEAVEN. He then worked on films like QUANTUM OF SOLACE, SHERLOCK HOLMES, IRON MAN 3 or GRAVITY.

Interview of the Week #49

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Here is the recap of my interview of the week #49. So you won't miss any of them. THE HUNGER GAMES - MOCKINGJAY PART 1:...

THE HUNGER GAMES – MOCKINGJAY PART 1: Charles Gibson – Production...

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Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

Interviews of the Week #42

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Here is the recap of my interviews of the week #42. So you won't miss any of them. Stefen Fangmeier - View Conference 2014 In this...

THE MAZE RUNNER: Sue Rowe – VFX Supervisor – Method Studios

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In 2012, Sue Rowe explained in details the work of Cinesite on JOHN CARTER. She then joined Method Studios in Vancouver and worked on ENDER'S GAME.