life of pi - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
CAPTAIN AMERICA – THE FIRST AVENGER: Stephane Ceretti – 2nd Unit...
Stephane Ceretti is back on The Art of VFX. After PRINCE OF PERSIA and X-MEN FIRST CLASS, he talks to us about his work on set on CAPTAIN AMERICA.
CAPTAIN AMERICA – THE FIRST AVENGER: Dave Morley (VFX Supervisor) &...
Dave Morley has been evolving for over 10 years in visual effects. He has worked on films such as MOULIN ROUGE, SEE NO EVIL, or CHARLOTTE'S WEB. As a VFX supervisor, he has worked on films like ROGUE, THE SPIRIT or AUSTRALIA.
Jason Bath is also evolving over the past ten years in visual effects. As VFX executive producer, he has worked on many projects in common with Dave Morley at Fuel VFX. In the following interview, they talk about their work on CAPTAIN AMERICA.
THOR: Kelly Port – VFX Supervisor – Digital Domain
Kelly Port began his career in 1995 at Digital Domain on APOLLO 13. He participated in many projects of the studios such as TITANIC, RED PLANET or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will also oversee the effects of movies like WE OWN THE NIGHT, STAR TREK or THE A-TEAM.
THE ADJUSTMENT BUREAU: Mark Russell – Production VFX Supervisor
Mark Russell began his career as a VFX producer. For several years he has produced the effects of many films like MINORITY REPORT, HELLBOY or THE ITALIAN JOB. He then became VFX supervisor for films such as SLEEP DEALER, DOUBT or CARRIERS.
SUCKER PUNCH: Bryan Hirota – VFX Supervisor – Prime Focus
Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.
THE ADJUSTMENT BUREAU: J. John Corbett – Animation & Design Supervisor...
J. John Corbett has worked on a impressive number of main titles for TV series such as LIFE IS WILD or 30 ROCK and also for movies like INTOLERABLE CRUELTY, THE DEVIL WEARS PRADA or NO COUNTRY FOR OLD MEN. He received a VES Award for BOARDWALK EMPIRE and was nominated for a Prime Time Emmy for the title sequence of ANGELS IN AMERICA.
TRON LEGACY: Chris Harvey – VFX Supervisor – Prime Focus
Having worked in all areas of visual effects at Prime Focus and Frantic Films, Chris Harvey become VFX supervisor and works on movies such as JOURNEY TO THE CENTER OF THE EARTH, GI JOE: RISE OF THE COBRA and THE A-TEAM. He also works as a stereo consultant for movies like AVATAR.
THE GREEN HORNET: Greg Oehler – VFX Supervisor – CIS Hollywood
Greg Oehler worked at CIS Hollywood for over 15 years and has participated in many projects such as TITANIC, THE BOURNE ULTIMATUM, WATCHMEN or INVICTUS.
HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX
Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.
TRON LEGACY: Danny Yount – Creative Director – Prologue Films
Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.