where to find them - résultats de la recherche

Michael Shelton has worked in many areas of visual effects for over 30 years. He joins the Pixomondo teams in 2017. As a VFX supervisor, he has worked on projects such as HERE AND NOW, MARY POPPINS RETURNS and GOLIATH.

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

Last year, Justin Ball explained his work on THE CURRENT WAR. He then worked on NIGHT SCHOOL, THE OA PART II and UNHINGED.

Dave Houghton has been working in visual effects for over 20 years. He has worked on numerous projects including TORCHWOOD, DOCTOR WHO, SINBAD and THE ALIENIST.

Robert Winter began his career in visual effects in 1997 at Sony Pictures Imageworks. He has worked on films such as STARSHIP TROOPERS, HOLLOW MAN, HANCOCK and ALICE IN WONDERLAND. He then joined MPC in 2014 and took care of effects for films such as SUICIDE SQUAD and GODZILLA: KING OF THE MONSTERS. In 2018, he joins Framestore and works on LADY AND THE TRAMP. In 2017, Arslan Elver told us about the work of Framestore on GUARDIANS OF THE GALAXY VOL. 2 and then worked on CHRISTOPHER ROBIN.

Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.

In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.

In 2018, Peter Eszenyi explained the work of Territory Studio on PACIFIC RIM: UPRISING. He then worked on JOHNNY ENGLISH STRIKES AGAIN and BLACK MIRROR. He talks to us today about his work on the prologue of THE DARK CRYSTAL series.