arrival - résultats de la recherche

Dennis Jones began his career in visual effects in London, working at Jim Henson's Creature Shop and Peerless Camera Company. He then joined Rising Sun Pictures in 2005 and worked on numerous films such as WATCHMEN, THE HUNGER GAMES, GRAVITY, X-MEN: DAYS OF FUTURE PAST and X-MEN: APOCALYPSE.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

The Special Visual Effects nominees for the BAFTA 2017 have been announced! ARRIVAL: Louis Morin DOCTOR STRANGE: Richard Bluff, Stephane Ceretti, Paul Corbould, Jonathan Fawkner FANTASTIC BEASTS...

Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN and ARRIVAL.

Here is the shortlist for the Best Visual Effects Award for the 89th Academy Awards: ARRIVAL THE BFG CAPTAIN AMERICA: CIVIL WAR DEEPWATER HORIZON DOCTOR STRANGE FANTASTIC BEASTS AND WHERE...

In 2014, Christian Manz gave insight on his role as VFX Supervisor and leading Framestore's work on DRACULA UNTOLD. Today he is back in the Harry Potter universe and talks about the challenges on FANTASTIC BEASTS AND WHERE TO FIND THEM.

The Academy of Motion Picture Arts and Sciences have announced the 20 contenders for the Best Visual Effects Award for the 89th Academy Awards: ALICE...

In 2013, Chad Wiebe explained to us about the work of Scanline VFX on MAN OF STEEL. He then worked at Method Studios on THOR: THE DARK WORLD, GRUDGE MATCH, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and AVENGERS: AGE OF ULTRON.

Pierre Raymond is a true pioneer in the visual effects industry with over 35 years of experience. In 1991, he founded with Sylvie Talbot, Daniel Leduc and Michel Murdock: Hybride Technologies, the first company specializing in digital visual effects in Quebec.

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.