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Here is the shortlist for the Best Visual Effects Award for the 89th Academy Awards: ARRIVAL THE BFG CAPTAIN AMERICA: CIVIL WAR DEEPWATER HORIZON DOCTOR STRANGE FANTASTIC BEASTS AND WHERE...
In 2014, Christian Manz gave insight on his role as VFX Supervisor and leading Framestore's work on DRACULA UNTOLD. Today he is back in the Harry Potter universe and talks about the challenges on FANTASTIC BEASTS AND WHERE TO FIND THEM.
The Academy of Motion Picture Arts and Sciences have announced the 20 contenders for the Best Visual Effects Award for the 89th Academy Awards: ALICE...
In 2013, Chad Wiebe explained to us about the work of Scanline VFX on MAN OF STEEL. He then worked at Method Studios on THOR: THE DARK WORLD, GRUDGE MATCH, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and AVENGERS: AGE OF ULTRON.
Pierre Raymond is a true pioneer in the visual effects industry with over 35 years of experience. In 1991, he founded with Sylvie Talbot, Daniel Leduc and Michel Murdock: Hybride Technologies, the first company specializing in digital visual effects in Quebec.
Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.
Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.
Jake Morrison began his career in visual effects for feature film in the late 90s. He has worked on many projects, such as LORD OF THE RINGS: THE TWO TOWERS, THE MATRIX RELOADED, 300 and IRON MAN 2. He has worked for Marvel Studios as additional VFX supervisor for THOR, 2nd Unit VFX supervisor for THE AVENGERS and Production VFX Supervisor for THOR 2: THE DARK WORLD.
Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.
Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...