iron man 3 - résultats de la recherche

Jonathan Weber began his career in the visual effects in 2007 by joining RISE. He works on numerous projects such as NINJA ASSASSIN, CLOUD ATLAS, CAPTAIN AMERICA: CIVIL WAR or THE MAN FROM U.N.C.L.E. As VFX Supervisor, he took care of the effects of THE BOOK THIEF, BORGIA and THE FATE OF THE FURIOUS.

In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

Last year, Alex Wang explained to us about the work of Digital Domain on DEADPOOL. He then joined the teams of Double Negative and talks about his work on THE FATE OF THE FURIOUS.

Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.

In 2015, Mark Bakowski explained to us the work of Industrial Light & Magic on SPECTRE. He then took care of the effects of DOCTOR STRANGE. He talks to us today about his work on the beautiful continuous shot on LIFE.

In 2016, Kelvin McIlwain explained to us about his work on CENTRAL INTELLIGENCE. Today, he talks about the new episode of the FAST & FURIOUS saga with his work on THE FATE OF THE FURIOUS.

In 2016, Guillaume Rocheron explained to us the work of MPC on BATMAN V SUPERMAN: DAWN OF JUSTICE. He talks to us today about his work as Overall VFX Supervisor on GHOST IN THE SHELL.

In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

At the beginning of the year, Philippe Theroux explained to us the work of Hybride on ARRIVAL. He then took care of the effects of DEEPWATER HORIZON, THE GREAT WALL and ROGUE ONE: A STAR WARS STORY.