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300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with...

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In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.

47 RONIN: Rudi Holzapfel – VFX Supervisor – Baseblack

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Few weeks ago, Rudi Holzapfel explained the work of Baseblack on JACK RYAN: SHADOW RECRUIT. He is back to tell us about 47 RONIN.

OSCAR 2014: Best Visual Effects for GRAVITY

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A huge congratulations to Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould and the whole Framestore team to have won the Oscar for...

THE HOBBIT – THE DESOLATION OF SMAUG: Eric Saindon – VFX...

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Last year, Eric Saindon had told us in detail about his work for THE HOBBIT - AN UNEXPECTED JOURNEY. Now, he's back for the second episode of HOBBIT.

THE HOBBIT – THE DESOLATION OF SMAUG: Robin Hollander – Compositing...

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The last time, Robin Hollander had explained his work as Compositing Supervisor on THE HOBBIT: AN UNEXPECTED JOURNEY. He then worked on IRON MAN 3. It is now back in Middle Earth.

CAPTAIN PHILLIPS: Adam Rowland – VFX Supervisor – Nvizible

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Adam Rowland works in visual effects for over 8 years. He has participated in many TV series like DR WHO or GENERATION KILLS and also on several movies such as PRINCE OF PERSIA: THE SANDS OF TIME, 28 WEEKS LATER or SKYFALL.

CALL OF DUTY – GHOST: Robert Sethi – Creative Director –...

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Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

ENDER’S GAME: Ash Thorp – Lead Motion Graphics Designer

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Last year, Ash Thorp had explained to us his work on TOTAL RECALL. He has since worked on projects such as IRON MAN 3, HAWKEN or AFTER EARTH. He also created the new logo for The Art of VFX.

RIDDICK: Alain Lachance – VFX Supervisor – Mokko Studio

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Alain Lachance has over 20 years of experience in visual effects. He began as an artist Flame at Mokko Studio and worked on films like Silent Hill or THE FOUNTAIN. As VFX supervisor, he took care of the visual effects for films such as MR. MAGORIUM'S WONDER EMPORIUM, UNDERWORLD: AWAKENING or MIRROR MIRROR.

WHITE HOUSE DOWN: Martyn Culpitt (VFX Supervisor) & Mark Wendell (CG...

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Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012. Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.