No Time To Die - résultats de la recherche

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Few weeks ago, Rudi Holzapfel explained the work of Baseblack on JACK RYAN: SHADOW RECRUIT. He is back to tell us about 47 RONIN.

Last year, Craig Calvert had told us about the previs work of Mr. X on PACIFIC RIM. He then worked on the TV series THE STRAIN. And now he explains his work on the remake of ROBOCOP.

Chris MacLean has joined the team of Mr. X in 2010. He has participated in many RESIDENT EVIL, THE THING or CARRIE. This is his fourth film with director Paul W.S. Anderson.

Mert Kizilay is a designer and director based in Los Angeles. He graduated from Fine Arts Animation School in Eski?ehir/Turkey. He has recently joined the teams of yU+co as designer.

Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.

In 2012, Cédric Fayolle had detailed to us the work of Mikros Image on RUST & BONE. Then he oversaw the effects of films like FOXFIRE, MAIS QUI A RE-TUÉ PAMELA ROSE? and THE PAST. 9 MONTH STRETCH is his second collaboration with director Albert Dupontel.

In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.

Last year, Ash Thorp had explained to us his work on TOTAL RECALL. He has since worked on projects such as IRON MAN 3, HAWKEN or AFTER EARTH. He also created the new logo for The Art of VFX.

Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.