world war z - résultats de la recherche

On last month, Simon Carr explained to us in detail his work on EXODUS: GODS AND KINGS. He speaks to us today about the impressive work of Method Studios on the new sci-fi movie by The Wachowskis, JUPITER ASCENDING.

In 2013, Bill George had explained to us the work of ILM on G.I. JOE: RETALIATION. He talks to us today about its collaboration with Angelina Jolie for UNBROKEN.

In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

Simon Carr worked for nearly 20 years in visual effects. He worked in various studios around the world and on many projects. He oversaw the effects of films such as ROCK OF AGES, OBLIVION, STAR TREK: INTO THE DARKNESS or MONUMENTS MEN.

Great news! Rodeo FX is opening an office in Los Angeles! Matte Painter Deak Ferrand and Executive Producer Chery Bainum from Hatch FX are joining...

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

Mark Breakspear explained to us the work of Method Studios for ELYSIUM on his last visit. Then he worked on ENDER'S GAME and THOR: THE DARK WORLD. Today he talks to us about his work on THE GIVER.

Here is the recap of my interview of the week #38. So you won't miss any of them. TEENAGE MUTANT NINJA TURTLES: Pablo Helman -...

Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.

During his last interview, Nicolas Aithadi explained in details the work of MPC on 47 RONIN. He is back with the space opera of Marvel, GUARDIANS OF THE GALAXY.