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In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.
After working for several years in various agencies and as freelance, Peter Eszenyi joined Territory Studio in 2012. He works on many projects such as GUARDIANS OF THE GALAXY, EX MACHINA, GHOST IN THE SHELL and BLADE RUNNER 2049.
Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.
Here is the complete list of the nominees for the 14th Annual VES Awards: Congratulations to everyone and good luck ;) Outstanding Visual Effects in a...
The Academy of Motion Picture Arts and Sciences have announced the preliminary shortlist for the Best Visual Effects Award for the 88th Academy Awards: ANT-MAN AVENGERS:...
Here is the recap of my interviews of the week #34. So you won't miss any of them. TED 2: Glenn Melenhorst - VFX Supervisor...
Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.
Eric Leven began his career in VFX and at Tippett Studio on STARSHIP TROOPERS. He has participated in many projects such as ARMAGGEDON or HOLLOW MAN. As VFX supervisor, he took care of movies like CLOVERFIELD, SEASON OF THE WITCH or THE TWILIGHT SAGA: ECLIPSE.
Benoit Revilliod has worked in many Parisians VFX studios such as Ex Machina, Def2Shoot or Wizz. Alongside his work as VFX supervisor, he is a professor at the school SupinfoCom. In the following interview, he discusses his work on the film L'ODYSSEE DE CARTIER.
Dave Morley has been evolving for over 10 years in visual effects. He has worked on films such as MOULIN ROUGE, SEE NO EVIL, or CHARLOTTE'S WEB. As a VFX supervisor, he has worked on films like ROGUE, THE SPIRIT or AUSTRALIA. Jason Bath is also evolving over the past ten years in visual effects. As VFX executive producer, he has worked on many projects in common with Dave Morley at Fuel VFX. In the following interview, they talk about their work on CAPTAIN AMERICA.