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CALL OF DUTY – GHOST: Robert Sethi – Creative Director –...
Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.
STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo
Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.
LIFE OF PI: Geoffrey Niquet – VFX Supervisor – BUF
Geoffrey Niquet is back on The Art of VFX. He had explained his work on ENTER THE VOID. He speaks to us now about BUF work on LIFE OF PI.
LOOPER: Karen Goulekas – Production VFX Supervisor
Karen Goulekas is back on The Art of VFX. In the following interview, she explains her collaboration with director Rian Johnson and the various challenges she encountered on this project.
BATTLESHIP: Chris Harvey – VFX Supervisor – Image Engine
After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.
BATTLESHIP: Grady Cofer – VFX Supervisor – ILM
Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.
JOHN CARTER: Sue Rowe – VFX Supervisor – Cinesite
In 2010, Sue Rowe had told us about his work on PRINCE OF PERSIA. She then moved on the most ambitious project to date at Cinesite: JOHN CARTER. In the following interview, Sue presents in detail her work of more than two years on this film.