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CURSED: David Sewell – VFX Supervisor – DNEG

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David Sewell began his career in visual effects with INDEPENDENCE DAY. He then worked in various studios such as Cinesite, The Senate and DNEG. He has worked on many shows including WORLD WAR Z, JOHN CARTER, IN THE HEART OF THE SEA and CHERNOBYL.

CURSED: Dave Houghton – Overall VFX Supervisor – Netflix

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Dave Houghton has been working in visual effects for over 20 years. He has worked on numerous projects including TORCHWOOD, DOCTOR WHO, SINBAD and THE ALIENIST.

18th Annual VES Awards: The Nominations

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The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...

A DOG’S WAY HOME: Matt Welford – Overall VFX Supervisor –...

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Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.

17th Annual VES Awards: The Winners

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A big congratulations to all the winners of the 17th Annual VES Awards! Here is the list of the winners: Outstanding Visual Effects in a Photoreal...

17th Annual VES Awards: The Nominees

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The Visual Effects Society have just announced the nominees for the The nominations for the 17th Annual VES Awards! Outstanding Visual Effects in a Photoreal...

SOLO – A STAR WARS STORY: Rob Bredow (Overall Visual Effects...

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Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

16th Annual VES Awards: The Nominations

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The nominations for the 16th Annual VES Awards have just been announced! OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE Blade Runner 2049 John Nelson Karen Murphy...

WAR FOR THE PLANET OF THE APES: Erik Winquist – VFX...

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Erik Winquist has nearly 20 years of experience in visual effects and has worked at Weta Digital for 15 years. He has participated in many films such as THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, AVATAR, THE HOBBIT: AN UNEXPECTED JOURNEY and of course the APES trilogy.

GHOST IN THE SHELL: Axel Bonami – VFX Supervisor – MPC

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Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.