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REBECCA: Murray Barber – VFX Supervisor & Co-founder – Milk Visual...

In 2013, Murray Barber told us about the work of Milk Visual Effects on DOCTOR WHO. He then worked on many shows such as EVEREST, HIGH RISE, FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD and ORIGIN.

GOOD OMENS: Jean-Claude Deguara – VFX Supervisor & Co-founder – Milk...

Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.


In 2017, Tom Proctor explained the work of DNEG on A CURE FOR WELLNESS. He then worked on JUSTICE LEAGUE. He talks to us today about his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, his first participation on a film from the Harry Potter universe.

Best of 2016 and the expectations for 2017

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

WARCRAFT: Hal Hickel – Animation Supervisor – Industrial Light & Magic

In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...

THE REVENANT: Nicolas Chevallier – VFX Supervisor – Cinesite

Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.