Life of Pi - résultats de la recherche

The nominees for animago AWARD 2015 have been announced! The winners will be announced at the awards ceremony on the evening of the 15 October...

Jake Morrison began his career in visual effects for feature film in the late 90s. He has worked on many projects, such as LORD OF THE RINGS: THE TWO TOWERS, THE MATRIX RELOADED, 300 and IRON MAN 2. He has worked for Marvel Studios as additional VFX supervisor for THOR, 2nd Unit VFX supervisor for THE AVENGERS and Production VFX Supervisor for THOR 2: THE DARK WORLD.

Pete Bebb began his career in the VFX on PITCH BLACK at Double Negative in 2000. He worked on many projects such as DIE ANOTHER DAY, BATMAN BEGINS, THE BOURNE ULTIMATUM or The Dark Knight. As a VFX supervisor, he took care of the effects of films like INCEPTION and THE DARK KNIGHT RISES.

Stopsack Sheldon began his career in the visual effects in 2002 at Ambient Entertainment. He joined MPC in 2007 and worked on films such as CLASH OF THE TITANS, PROMETHEUS, SKYFALL or X-MEN: DAYS OF FUTURE PAST.

Before becoming a freelance visual effects producer, Shari Hanson has worked for many years at Industrial Light & Magic in the commercials department and then in features. She took care of the effects of films such as THE ISLAND, MISSION: IMPOSSIBLE III, TRANSFORMERS or STAR TREK.

The team of Whiskytree talks about the creation of the wide shots of Tomorrowland city, the bioluminescent trees and the Paris launch sequence for TOMORROWLAND and their collaboration with Industrial Light & Magic.

Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

Excellent interactive and immersive promo video for BATTLEFIELD HARDLINE with the VFX made by Method Studios (click on the picture below to watch it): WANT...

Marshall Krasser began his career in the VFX at ILM in 1994, he worked on films such as THE MUMMY, PEARL HARBOR, AVATAR or BATTLESHIP. In 2014, he joined Scanline VFX in Vancouver and then Prime Focus World. He has now joined Psyop Film & Television.

Matthew Rouleau began his career in the visual effects in 2003. He worked at Buzz Image Group, The Embassy and joined the team of Rodeo FX in 2010. He has worked on films such as THE FOUNTAIN, DISTRICT 9, IRON MAN 2 and PACIFIC RIM.