away - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
TOTAL RECALL: Ash Thorp – Creative Director / Designer
Ash Thorp worked as art director and designer for many years. He has participated on films like THE TOURIST, X-MEN: FIRST CLASS, THOR, PROMETHEUS or THE AMAZING SPIDER-MAN. In the following interview, he explains the many challenges on TOTAL RECALL.
SNOW WHITE AND THE HUNTSMAN: John Moffatt – VFX Supervisor –...
John Moffat joined Double Negative in 1998 and participated on most projects of the studio such as PITCH BLACK, ENEMY AT THE GATES, THE CHRONICLES OF RIDDICK or ATONEMENT. He also participated on several HARRY POTTER which he oversaw the effects of the last 3 episodes.
THE AMAZING SPIDER-MAN: Boris Schmidt – VFX Supervisor – Pixomondo
Boris Schmidt joined Pixomondo in 1999 and worked on many projects such as 2012, THE LAST AIRBENDER or SUCKER PUNCH. For RED TAILS, he will be VFX Supervisor as well as for THE AMAZING SPIDER-MAN. He talks about the challenges faced on this show and the collaboration with Sony Pictures Imageworks.
PROMETHEUS: Charley Henley – VFX Supervisor – MPC
Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.
ROCK OF AGES: Jay Barton – VFX Supervisor – Digital Domain
Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.
BATTLESHIP: Chris Harvey – VFX Supervisor – Image Engine
After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.
SNOW WHITE AND THE HUNTSMAN: Henry Hobson – Creative Director –...
After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.
THE AVENGERS: Simon Maddison – VFX Supervisor – Fuel VFX
Simon Maddison is back on The Art of VFX. After he discuss the effects of Fuel VFX on COWBOYS & ALIENS, now he explains his work on THE AVENGERS.
DARK SHADOWS: Arundi Asregadoo – VFX Supervisor – MPC
Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.
CONTRABAND: Dadi Einarsson – VFX Supervisor – Framestore Iceland
Dadi Einarsson has over 20 years experience in the VFX. He started in Iceland before moving to London and New York. He has worked at The Mill and Framestore for projects like AUSTRALIA, SHERLOCK HOLMES or CLASH OF THE TITANS. In 2008, he returned to Iceland and founded Framestore Iceland.