halo - résultats de la recherche

Back in 2019, Scott Edelstein explained Digital Domain's work on Avengers: Endgame. Today he returns to tell us about Free Guy. How did you and...

In 2017, Olivier Dumont explained the work of Method Studios on KING ARTHUR - LEGEND OF THE SWORD. He then worked on THE NEW MUTANTS.

In April 2019, Tim Miller told us about his work on LOVE, DEATH & ROBOTS. Today, he talks about the challenges of his new film, TERMINATOR: DARK FATE.

Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.

After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS. Dave Cook began his career in visual effects in 2004. He worked in many studios and then became Head of 3D at Jellyfish Pictures in 2015.

In 2017, Kelvin McIlwain explained his work on THE FATE OF THE FURIOUS. He talks to us today about the many challenges on AQUAMAN.

In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.

In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.