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Civil War: David Simpson – Production VFX Supervisor
David Simpson embarked on his journey in the realm of visual effects at Framestore back in 2008. Since then, he worked on Gravity, Fantastic...
The Little Mermaid: Tim Burke – Production VFX Supervisor
In 2018, Tim Burke explained to us about the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He returns today to tell...
House of the Dragon: Sven Martin – VFX Supervisor – Pixomondo
In 2021, Sven Martin explained the visual effects work made by Pixomondo on Without Remorse. He then worked on Help, I Shrunk My Friends...
Thor – Love and Thunder: Joanna Davison (CG Supervisor) and Tim...
Joanna Davison started her career in visual effects in 2005 at Framestore. She joined the Weta FX team in 2011. She has worked on...
Foundation: Arnaud Brisebois – VFX Supervisor – Rodeo FX
In 2016, Arnaud Brisebois talked about the work of Rodeo FX on Fantastic Beasts and Where to Find Them. He then worked on many...
Foundation: Nicolas Hernandez – VFX Supervisor – Important Looking Pirates
Back in 2014, Nicolas Hernandez explained the work of Milk VFX on Hercules. Then he went to work on movies such as Ex Machina,...
News of the World: Ian Fellows – VFX Supervisor – Outpost...
Ian Fellows has more than 20 years of experience in visual effects. He has worked at many studios such as Framestore and MPC before...
Greyhound: Nathan McGuinness (Overall VFX Supervisor) & Pete Bebb (DNEG VFX...
Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...
REBECCA: Murray Barber – VFX Supervisor & Co-founder – Milk Visual...
In 2013, Murray Barber told us about the work of Milk Visual Effects on DOCTOR WHO. He then worked on many shows such as EVEREST, HIGH RISE, FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD and ORIGIN.
GOOD OMENS: Jean-Claude Deguara – VFX Supervisor & Co-founder – Milk...
Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.