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GOOD OMENS: Jean-Claude Deguara – VFX Supervisor & Co-founder – Milk...

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Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

POKÉMON DETECTIVE PIKACHU: Pete Dionne – VFX Supervisor – MPC

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In 2016, Pete Dionne explained to us the work of MPC on PASSENGERS. He then took care of the effects of A WRINKLE IN TIME.

MARY POPPINS RETURNS: Matt Johnson – Overall VFX Supervisor

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In 2013, Matt Johnson explained the work of Cinesite on WORLD WAR Z. He then took care of the effects of films like JACK RYAN: SHADOW RECRUIT, INTO THE WOODS and NOW YOU SEE ME 2.

BIRD BOX: Marcus Taormina – Overall VFX Supervisor

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Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.

WELCOME TO MARWEN: Romain Arnoux – VFX Supervisor – Framestore

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Romain Arnoux has more than 20 years of experience in visual effects. He has worked in many studios like Mac Guff Line, DNEG, Weta Digital, MELS and joined Framestore in 2017. He has worked on many films such as AVATAR, THE ADVENTURES OF TINTIN, JOHN CARTER and RACE.

AQUAMAN: Jeff White (VFX Supervisor) and Cedric Lo (Animation Supervisor) –...

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In 2016, Jeff White explained the work of ILM on WARCRAFT. He then worked on KONG: SKULL ISLAND. Cedric Lo began his career in visual effects in the early 2000s. He worked on many films such as TRANSFORMERS: DARK OF THE MOON, PACIFIC RIM, CAPTAIN AMERICA: CIVIL WAR and WARCRAFT.

Digital Domain arrives in Montreal!

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Montreal is getting bigger with the arrival of Digital Domain in 2019! Here is the press release: GLOBAL VFX STUDIO DIGITAL DOMAIN CELEBRATES 25 YEARS WITH...

WIDOWS: Lars Andersen – VFX Supervisor – One of Us

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Lars Andersen began his visual effects career in 2011 at Cutting Edge. He works on many films such as I, FRANKENSTEIN, PREDESTINATION and THE AGE OF ADALINE. He joined One of Us in 2016 and takes care of the effects of films like LIFE and THE CURRENT WAR.

THE HOUSE WITH A CLOCK IN ITS WALLS: Louis Morin –...

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Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.

AVENGERS – INFINITY WAR: Russell Earl – VFX Supervisor – Industrial...

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In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.