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The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.

In 2012, Olivier Cauwet explained the work of BUF on TOTAL RECALL. He then took care of many projects such as COSMOS: A SPACETIME ODYSSEY, INDEPENDENCE DAY: RESURGENCE, AMERICAN GODS or TWIN PEAKS. Jeremy Robert began his VFX career at BUF in 2007. As a VFX supervisor, he was responsible for the visual effects of films such as POLTERGEIST, RACE, X-MEN: APOCALYPSE or AMERICAN GODS.

Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.

Here are the nominations for the 13th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture DAWN OF...

After explaining the work of Framestore on JOHNNY ENGLISH REBORN, Rob Duncan oversaw the visual effects of THE DICTATOR. He is back to talk about his work on the remake of ROBOCOP.

Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.

Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.

Jeff Campbell returned to The Art of VFX to tell us about Spin VFX work for UNDERWORLD AWAKENING. He is joined by George Macri, VFX Producer, and Ahmed Shehata, CG Supervisor. They explain in detail their work on this film.

Dave Morley has been evolving for over 10 years in visual effects. He has worked on films such as MOULIN ROUGE, SEE NO EVIL, or CHARLOTTE'S WEB. As a VFX supervisor, he has worked on films like ROGUE, THE SPIRIT or AUSTRALIA. Jason Bath is also evolving over the past ten years in visual effects. As VFX executive producer, he has worked on many projects in common with Dave Morley at Fuel VFX. In the following interview, they talk about their work on CAPTAIN AMERICA.