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In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.
The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.
The team of Day for Night composed by Frank Kaminski (Producer & VFX Supervisor), Marco Del Bianco (Producer & VFX Supervisor), Marwin Wanek (VFX Lead artist), Eva Wendler (VFX Producer) and Christoph Willerscheidt (VFX Artist) explains their work on NORTHMEN - A VIKING SAGA.
Earlier this year, Ollie Rankin explained the work of Method Studios on GI JOE: RETALIATION. Now he explains his work on WHITE HOUSE DOWN.
Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.
Before joining Framestore, Mike Mulholland worked at Cinesite on projects such as LARA CROFT: TOMB RAIDER and the TV series BAND OF BROTHERS then at ESC Entertainment for CATWOMAN. At Framestore, Mike has participated on films like AVATAR, CLASH OF THE TITANTS or WHERE THE WILD THINGS ARE. In the following interview, Mike accompanied by Ben Morris (VFX Supervisor) and Duncan Burbidge (VFX Producer) talk about their work on WAR HORSE.
Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.