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Hugues Namur is working in visual effects for more than 20 years. He is VFX Supervisor at Mikros Image since 2002 and has taken care of the visual effects of films such as ASTERIX AT THE OLYMPIC GAMES, PARIS 36, THE BURMA CONSPIRACY and CHOCOLAT.

In 2015, Jake Morrison explained to us about his work on ANT-MAN. He is talking to us today about his fourth film with the god Thor.

In 2012, Olivier Cauwet explained the work of BUF on TOTAL RECALL. He then took care of many projects such as COSMOS: A SPACETIME ODYSSEY, INDEPENDENCE DAY: RESURGENCE, AMERICAN GODS or TWIN PEAKS. Jeremy Robert began his VFX career at BUF in 2007. As a VFX supervisor, he was responsible for the visual effects of films such as POLTERGEIST, RACE, X-MEN: APOCALYPSE or AMERICAN GODS.

In 2013, Cedric Fayolle explained to us in detail about the work of Mikros Image on 9 MONTH STRETCH. He then worked on many projects such as DHEEPAN. Today, he talks to us about his work on the new film by director Albert Dupontel.

Karen Murphy began her career in the visual effects almost 25 years ago. She has produced the effects of many films such as TITANIC, WILD WILD WEST, HUGO and FURIOUS 7.

Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.

In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. Now he is back into the world of PIRATES OF THE CARIBBEAN.

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.