the walk - résultats de la recherche

In 2013, Alessandro Cioffi talked in detail about the work of Trixter on IRON MAN 3. He then worked on films such as WHITE HOUSE DOWN and PIXELS but especially on many Marvel films like CAPTAIN AMERICA: WINTER SOLDIER, AVENGERS: AGE OF ULTRON and ANT-MAN.

Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.

In 2014, Dan Schrecker had explained to us about his work on NOAH. He then joined Psyop and took care of the visual effects of films like AMERICAN ULTRA, EQUALS or JOY.

Eric J. Robertson worked in visual effects and production for over 20 years. He worked on more than 80 films such as DAWN OF THE DEAD, THE DA VINCI CODE, SILENT HILL or NOAH. He founded the studio Mr. X Gotham.

In 2013, Mark Bakowski talked to us about the visual effects of Framestore on IRON MAN 3. He then worked on films like GRAVITY and JUPITER ASCENDING. He then joined ILM London to work on AVENGERS: AGE OF ULTRON. SPECTRE is his third James Bond film.

Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.

During his last visit, Dadi Einarsson talked to us about his work on CONTRABAND. He then worked on films such as THE DEEP, BOARDWALK EMPIRE and GRAVITY. Framestore Reykjavik also became independant and is now called RVX.

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Pete Bebb began his career in the VFX on PITCH BLACK at Double Negative in 2000. He worked on many projects such as DIE ANOTHER DAY, BATMAN BEGINS, THE BOURNE ULTIMATUM or The Dark Knight. As a VFX supervisor, he took care of the effects of films like INCEPTION and THE DARK KNIGHT RISES.