iron sky 2 - résultats de la recherche

Since his last appearance on The Art of VFX for PROMETHEUS, Vincent Cirelli has worked on many films such as OZ THE GREAT AND POWERFUL, GI JOE: RETALIATION, IRON MAN 3 or PRISONERS.

Adam Rowland works in visual effects for over 8 years. He has participated in many TV series like DR WHO or GENERATION KILLS and also on several movies such as PRINCE OF PERSIA: THE SANDS OF TIME, 28 WEEKS LATER or SKYFALL.

In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.

Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

Last year, Ash Thorp had explained to us his work on TOTAL RECALL. He has since worked on projects such as IRON MAN 3, HAWKEN or AFTER EARTH. He also created the new logo for The Art of VFX.

Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.

Erik Nordby has over 10 years in visual effects. He has worked on such films as THE BUTTERFLY EFFECT or HORRIBILIS. As VFX Supervisor, he take care of the effects for films like THE A-TEAM, DARK SHADOWS or FAST & FURIOUS 6.

After explaining the work of Spin VFX on the TV series THE BORGIAS, Doug Campbell has worked as a senior compositor on THE TWILIGHT SAGA: BREAKING DAWN - PART 2 and JACK REACHER. He now talks about his work on the third season of GAME OF THRONES.

Earlier this year, Ollie Rankin explained the work of Method Studios on GI JOE: RETALIATION. Now he explains his work on WHITE HOUSE DOWN.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.