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After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.

Jonathan Harb began his career as a production assistant in the art department at ILM in 1996, he later became concept artist, matte painter, supervisor of the matte painting department and VFX supervisor. At ILM, he worked on such films as MEN IN BLACK I and II, the new STAR WARS trilogy, THE PERFECT STORM, or I.A. In 2007, he founded Whiskytree and oversaw the effects of movies like TERMINATOR SALVATION or TRON LEGACY. In the following interview, he talks about his work on THOR.

Great news with the return of Academy Award-nominated Animation Supervisor Rob Coleman and Executive Producer Randal Shore to Industrial Light & Magic at the...

Let's start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years! The reel is featuring their work on: TRUE LIES INTERVIEW...

Beautiful new showreel about the VFX work of Mr. X Inc: WANT TO KNOW MORE? POMPEII: My interview of Chris MacLean – CG Supervisor. HANNA: My interview...

Here is the new demo reel by Mr.X featuring their work on ROBOCOP, CARRIE, POMPEII, VIKINGS and many more: // WANT TO KNOW MORE? Here are...

Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.

After dealing the high technology with IRON MAN 2, Prologue Films is now grappling with zombies for the main title of THE WALKING DEAD.

In 2019, Grady Cofer explained to us about the visual effects work of ILM on Us. He then worked on Space Jam: A New...

In 2018, François Lambert explained to us the work of Hybride made on Solo: A Star Wars Story. He then worked on many projects...