tron legacy - résultats de la recherche

Trey Harrell began his career at Mr. X more than 8 years ago. He has worked on many projects such as TRON LEGACY, THE THREE MUSKETEERS, POMPEII and RESIDENT EVIL: THE FINAL CHAPTER. He talks to us today about his work on THE SHAPE OF WATER, his third show with director Guillermo del Toro.

Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.

In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

Steve Preeg has an experience of over 15 years in the animation and visual effects. He has worked on many films such as FINAL FANTASY: THE SPIRITS WITHIN, THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG or TRON LEGACY. In 2009, he won the Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON. OBLIVION is his second collaboration with director Joseph Kosinski.

Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.

After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.

Jonathan Harb began his career as a production assistant in the art department at ILM in 1996, he later became concept artist, matte painter, supervisor of the matte painting department and VFX supervisor. At ILM, he worked on such films as MEN IN BLACK I and II, the new STAR WARS trilogy, THE PERFECT STORM, or I.A. In 2007, he founded Whiskytree and oversaw the effects of movies like TERMINATOR SALVATION or TRON LEGACY. In the following interview, he talks about his work on THOR.

Great news with the return of Academy Award-nominated Animation Supervisor Rob Coleman and Executive Producer Randal Shore to Industrial Light & Magic at the...

Let's start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years! The reel is featuring their work on: TRUE LIES INTERVIEW...