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In 2012, Paul Butterworth explained to us the work of Fuel VFX on PROMETHEUS. He then worked on IRON MAN 3, THE HUNGER GAMES: CATCHING FIRE and X-MEN: DAYS OF FUTURE PAST. In 2014, Fuel VFX is acquired by Animal Logic. Within this studio, Paul works on INSURGENT, AVENGERS: AGE OF ULTRON and CAPTAIN AMERICA: CIVIL WAR.

Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.

In 2013, Glenn Melenhorst had explained to us about his work on THE WOLVERINE. He then take care of the effects for the documentary DEEPSEA CHALLENGE 3D. Now he talks about the Iloura's work on THE SPONGEBOB MOVIE: SPONGE OUT OF WATER.

Stuart Bullen began his career in the VFX almost 10 years ago. He worked many years at MPC on projects such as THE WOLFMAN, GI JOE: THE RISE OF COBRA and QUANTUM OF SOLACE. He joined BlueBolt in 2010 and worked on films like THE IRON LADY, THE CLOUD ATLAS or MONUMENTS MEN.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.

Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.

In 2021, Joel Green explained the work done by DNEG on No Time To Die. He then joined the beloFX team and talks to...

In 2018, Salvador Zalvidea explained the work of Cinesite on Adrift. He went on to work on Starfish, Outlander and The Bourne Stuntacular. How did...

In 2019, Jean-Claude Deguara had explained the work of Milk VFX on the series Good Omens. He's back today to tell us about his...